Anna Picard has a short review of the new Mark Padmore and Paul Lewis recording of Winterreise in the The Independent. In the review she cites the recording as being “interesting reversal of roles” for Padmore and Lewis.
Opera Britannia’s Paul Dalton offers a review of Andrew Foster-Williams‘ and Christopher Gould’s recent performance of Winterreise which was performed along with some sort of visual projection by Mariele Neudecker. The review goes into very little detail, but I link to it here mostly as a record of the performance. If you know more about this performance, and especially about the projections, please leave a note in the comments.
Animator Waren Criswell created this hauntingly beautiful animation “Die Krähe” with a surprise ending.
His description:
Unlucky in love, a man wanders in a winter landscape, followed by a hungry crow. Faithful to the grave. But this one has an ending more Sopranos than Schubert….
Animation by Warren, music by Franz Schubert: The Crow, from Winterreise, Tenor Mat Tatus, piano Bob Boury
The Crow from Warren Criswell on Vimeo.
About five months ago I wrote a scathing review of a recording of Yuri Honing performing parts of Winterreise on saxophone with Nora Mulder on piano. Today I was searching for Winterreise on the beautiful video site vimeo.com and found a video of them performing exceprts. Now you can make your own assessment.
Winterreise from Wim Zagt on Vimeo.
The Gramophone Archive has a wonderful article discussing Fischer-Deiskau’s many recordings of Winterreise. It talks about the circumstances surrounding the recordings as well as various advantages and disadvantages of each recording.